Randoald Sabbe Belgian, b. 1973

Overview
"Nothing is what it appears to be at first glance, but at the same time it is"
Randoald Sabbe is a renowned graphic designer whose extensive experience in independent art practice is combined with an intuitive approach to studying and creating visual design and imagery. Randoald delves into the origins and ownership of images, raising questions about their meaning and implications. He reevaluates concepts such as time perception, originality, attribution, re-usability, interpretation, and copyright. With a disarming perspective, he transforms familiar elements into new visual concepts. Randoald's collection of paintings is unique, with each image, although potentially repainted multiple times, remaining original and signed by different artists. Words like "AGE ACT AIM" typographically illustrate his thoughts on the subject matter. In Randoald Sabbe's work, history, politics, religion, semantics and their impermanence keep coming up. For him, nothing is what it appears to be at first glance, but at the same time it is. He feels the constant urge to refresh our memory and ensure that nothing is lost. His art is a blend of existing elements and new connections, often requiring a second look to fully appreciate it. It is both exciting and liberating, always implying more than what is initially visible.
Works
Biography
Randoald Sabbe was born in Bruges and he works and lives in Ghent. He has a well-earned reputation as a graphic designer who combines his many years of experience gained in his independent art work practices with an intuitive study of the creation of images relating to the conception of visual design. In the exhibition UNCOPYRIGHTABLE he reveals for the first time his own work, which has been created in various sequences since 2020:collected postcards or instantly recognizable symbols have been accompanied either by text or have been amusingly manipulated in such a way that they acquire other connotations. At first glance, his chalk drawings and typographic paintings seem to convey a clear message, but upon closer inspection, they are nevertheless surprisingly puzzling. Randoald Sabbe raises searching questions about when and how an image originates, to whom it belongs and what its meaning implies. Concepts such as  time perception, originality and attribution, re-usability, interpretation and copyright are reconsidered and reinterpreted. He observes the material world with a disarming approach, and by doing so brings familiar elements together to create new visual concepts.